• Visual Archive
  • Sculpture
    • View the Entire Collection →
    • The Specimens
    • The Entanglement
    • Surface Tension
    • The Crossing
    • The Collective Body
    • The Visible Force
  • Art Studio
    • Artist Statement
    • Ché Hough Bio
    • Sculpture Atelier
  • Design Studio
    • Basins
    • Tiles & Cladding
    • Bespoke Commissions
    • Design Atelier
  • Honeycomb House
  • Enquiries
The Collection

Typology II · The Debris · The Entanglement

The Collected Rope · Position 4 of 18 in the Collection

Ghost Tales — collected-flotsam whale-tail wall relief in sun-bleached manila gold, sisal grey, and polypropylene blue
One year of the tideline at the southern tip of Africa — manila gold, sisal grey, polypropylene blue — bound into the departing tail.
Collected Beach Flotsam · One Year of the Tideline

Ghost Tales

Whale-Tail Wall Relief · The Collected Rope

Every length of rope was working before it washed ashore. Bound together, they become the shape of leaving.

What tangled becomes what holds.

Ghost Tales — detail of the frayed fringe and found marine objects
The fringe — where each bound strand releases back into individual memory. A float, a hook, a sun-bleached knot caught in the gathering.
Ghost Tales — side-angle view showing depth and wall-mounted format
250 mm off the wall. The tail has depth — not a picture of a whale leaving, but the physical weight of departure.

Description

Each length of rope in this tail was working before it washed ashore. Gathered over one year from the tideline between Pearly Beach and Walker Bay at the southern tip of Africa—manila, sisal, polypropylene, nylon, polyester—every strand carries its own sun-bleach, its own salt, its own fraying. Washed, sun-dried, and bound by hand around an armature built in A1 (Acrylic One), they become the departing tail of a whale: one year of the coast, read as a single sentence.

The whale fluke is the hydrodynamic surface of departure. The whale was the first great marine commodity, rendered into oil and bone for export, and the beaches where this flotsam gathers are the same coast where whaling stations operated at Gansbaai and De Kelders. The mixed fibres represent the globalised supply chain of maritime extraction. Binding the discarded tools of the fishing industry into this shape turns the mechanism of extraction into the anatomy of the extracted.

The tideline is read as a daily deposit of maritime industry. The weathering is kept as empirical evidence of use. The ends are fringed, unravelling the plaited structures to release each fibre back into individual memory. What tangled becomes what holds.


Specification

Medium
Reclaimed beach flotsam (manila, sisal, polypropylene, nylon, polyester)
Framework
A1 (Acrylic One) mineral-acrylic composite armature, hand-built
Format
Wall-mounted whale-tail relief
Scale
1100 × 1100 × 250 mm (≈ 43 × 43 × 10 in)
Edition
Unique work
Status
Available for acquisition

Process — The Transmutation

01 Collection

Walking the tideline at the southern tip of Africa, gathering flotsam the sea returned.

02 Washing

Each length washed free of salt, sand and marine growth.

03 Drying

Sun-dried until stable. The weathering is kept, not corrected.

04 Framework

Hand-building the A1 (Acrylic One) armature to carry the anatomical load.

05 Binding

Laying and binding the rope strand by strand around the armature, following the anatomical load, then fringing the margins.


Provenance

Artist
Ché Hough (Cape Town)
Studio
Cape Cache, Pearly Beach, Western Cape
Field research
139,500 nautical miles at sea
Execution
2025 — Pearly Beach Studio
Authentication
Certificate of Authenticity issued by Cape Cache
Artist statement — biography, exhibitions, CV

Related in This Typology

Ghost Tide — cold cast aluminum dolphin caught in ghost netting by Ché Hough

Ghost Tide

Cold-cast aluminium dolphin caught in ghost netting — the first witness, retained in the studio. The moment before the rope learned to become something else.

View the work →
Ghost Whale — The Repurposed Line, whale tail in salt-faded industrial rope

Ghost Whale — The Repurposed Line

14 mm laid nylon topline diverted from Cape Town harbours — the standardised tool of extraction.

View the work →
Ghost Shark — apex predator in repurposed rope

Ghost Shark

14 mm laid nylon topline bound into the anatomical form of a shark mid-breach. The standardised tool of extraction mapped as the body of the extracted.

View the work →
Acquisitions & Commissions

Ghost Tales is a unique work available for acquisition. The series continues: each year’s tideline yields a different tail, bound from whatever the southern tip of Africa returns. No two years gather the same rope.

Acquisition Enquiries

Studio

Cape Cache · Pearly Beach · Suiderstrand · Southern tip of Africa · Ché Hough

Studio Coordinates: 34°40′S 19°30′E

Instagram: @capecache.studio

Every work hand-formed by the artist — no AI, no 3D printing.

  • Visual Archive
  • Sculpture
  • Art Studio
  • Design Studio
  • Honeycomb House
  • Enquiries
© 2026 | Cape Cache Studio | info@capecache.co.za
  • Visual Archive
  • Sculpture
    • View the Entire Collection →
    • The Specimens
    • The Entanglement
    • Surface Tension
    • The Crossing
    • The Collective Body
    • The Visible Force
  • Art Studio
    • Artist Statement
    • Ché Hough Bio
    • Sculpture Atelier
  • Design Studio
    • Basins
    • Tiles & Cladding
    • Bespoke Commissions
    • Design Atelier
  • Honeycomb House
  • Enquiries

What are you looking for?